PROGRAM (revised Sept.26):
Caulfield Introduction with tape
Ashbridge Dreamspheres I
Caulfield Freddie goes to town
Caulfield Everybody Gotta be Somewhere (premiere)
Caulfield Spring Rondo
Caulfield Hallasan Blues for solo Bassoon
Caulfield Boar Ring (solo) (premiere )
Bartok Wedding Song
Bartok Pillow Dance
Caulfield The show that never starts
Christine is a Principal Software Engineer at Red Hat, working on Linux clustering and storage technologies. She has has been playing violin since the age of 7 but gave up in her teens (to a lasting regret) and didn’t restart until her early 20s. She currently plays violin with the Sinfonia of Leeds and the CoMA (COntemporary Music for Amateurs) Yorkshire Ensemble.
As a composer, Christine is largely self-taught, but has taken tuition and advice from Ben Oliver and John Habron (both now at Southampton) and anyone else who will listen. Her compositional style is eclectic and takes in a number of diverse influences from the baroque masters to Schittke, Swedish folk music and silly noises you can make by hitting a cheap fiddle with a paint brush. She is, as Douglas Adams would have it, “a great fan of science” and frequently uses scientific and mathematical themes in her music, though is not above tweaking mathematical systems for musical effect.
Although highly technically literate (see job description above) she prefers to compose sat in a comfortable arm-chair using a pencil and manuscript paper. Oh, and a calculator … and possibly a martini. She lives in Leeds with a large number of cats, some strange instruments, and possibly too many computers and/or microphones.